10 Best Audio Compressor Of 2022 – Review And Buying Guide

Finding the best audio compressor that will meet all your needs can be a bit of a challenge, even for the most seasoned expert. While many companies still create good audio compressors, the market has turned its attention toward advanced models that carry higher price points.

In our quest to find the most suitable models, we focused on features like comfort, adjustability, and durability. We recommend you take a close look at each product we listed here and see the features you need for your personal use.

Keep reading to learn more…

Top 10 audio compressor : Editor’s Pick

10 Best audio compressor Reviews:

1. dbx 266xs Professional Audio Compressor/Gate Dynamic Processor

Features :

  • Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
  • New Gate timing algorithms ensure the smoothest release characteristics
  • Program-adaptive expander/Gates
  • Great sounding dynamics control for any type of program material
  • Separate precision LED displays for gain reduction, compression threshold and Gate threshold allow quick, accurate setup
  • Inputs: ¼” TRS and female XLR (pin 2 Hot)
  • Outputs: ¼” TRS and female XLR (pin 2 Hot)

Additional Info :

Color Silver
Item Dimensions
Height 1.75
Width 5.75
Length 19
Weight 6.6

2. Warm Audio WA76 Single Channel Discrete Compressor, Black

Features :

  • Single channel discrete compressor
  • Custom CineMag USA Transformers
  • True to the Classic ‘76 compressor in design and performance
  • Fully discrete signal path
  • Supports the famous “all buttons in” ratio setting

Additional Info :

Color Black
Item Dimensions
Height 24.9999999745
Width 5.99999999388
Length 9.9999999898
Weight 8.9

3. Behringer Compressor (MDX4600 V2)

Features :

  • Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics
  • IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression
  • Switchable dynamic Enhancer for brilliant, lively audio even with heavy compression
  • IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks
  • Switchable Low contour filter prevents “pumping” due to low-frequency dominated compression

Additional Info :

Item Dimensions
Height 1.73
Width 5.87
Length 19.02
Weight 4.85
Release Date 2016-07-20T00:00:01Z

4. Walrus Audio Deep Six V3 Compressor Guitar Effects Pedal

Features :

  • True bypass studio-grade compressor in stomp box form
  • Added tone knob (bass cut) for the ability to shape the low end of your guitar signal
  • Soft switch/relay bypassing for smoother more reliable operation
  • Top mounted in/out jacks
  • Updated art by Adam Forster that gives a humble nod to the original art that started it all

Additional Info :

Item Dimensions
Height 3
Width 4
Length 6
Weight 0.661386786

5. ART Pro-VLA II Two Channel Vactrol-based Compressor

Features :

  • VCA-Less Vactrol Opto-Compression Design, Mastering Quality Audio Signal Path with Tube Gain Stage, Variable Threshold, Ratio & Output Controls
  • Enhanced Link Mode – While in stereo link mode, channel 1 level control acts as a master output level and channel 2 becomes a balance control between them, – optimizing the Pro-VLA II for use as a mastering tool
  • LED Backlit VU Input/Output Level Metering Indicates Both Average Level And Peak Hold
  • Accurate Ten Segment LED Gain Reduction Metering. +4dBu/-10dBu Mode Switch Optimizes Pro-VLA II For Interface with Professional OR Consumer Grade Components
  • Active Balanced XLR And ¼-Inch Inputs & Outputs. Toroidal Transformer Reduces Mechanical & Electrical Hum

Additional Info :

Color MultiColored
Item Dimensions
Height 5.9
Width 12.4
Length 21.8
Weight 11.02

6. Warm Audio BUS-COMP Stereo VCA Bus Compressor

Features :

  • Stereo VCA Bus Compress with 5 Ratios
  • Side Chain Input Filter
  • Cinemag Transfmers

Additional Info :

Item Dimensions
Height 4
Width 14
Length 24.5
Weight 10.33

7. ART SCL2 Dual/Stereo Compressor/Limiter Expander/Gate, Black (SCL-2)

Features :

  • Dual Channel or Linked Stereo Operation
  • 1/4-Inch TRS And XLR Balanced Inputs
  • Stereo Mode Balance Control
  • Selectable Auto/ Manual Attack/Release
  • Precise Led Level Meters

Additional Info :

Color Black
Item Dimensions
Height 3.5
Width 10
Length 21

8. Warm Audio WA-2A Tube Opto Compressor, Silver

Features :

  • Fully discrete signal path Utilizes custom USA made CineMag input and output transformers Utilizes USA made Kenetek opto attenuator Premium Tung-Sol and Electro-Harmonix tubes Variable Pre-emphasis, allows for compression high-pass filtering Stereo-link capability XLR and TRS balanced line level inputs – 600 ohms impedance XLR and TRS balanced line level outputs – 600 ohms impedance Frequency Response +/- 1 dB, 15 Hz to 20kHz Gain 40 dB +/-1dB Input Level +16 dB max
  • True to its inspiration; the WA-2A boasts an all tube, completely discrete signal path with through-hole component topology
  • It also features custom, large-core Cinemag input and output transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell, considered by many to be the world’s finest
  • No plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic optical tube compressor
  • For decades, the renowned ‘2A type circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way

Additional Info :

Color Silver
Item Dimensions
Height 22.99999997654
Width 5.40157479764
Length 10.29921258792
Weight 10.79

9. Jackson Audio Bloom V2 Dynamic Engine Guitar Effects Pedal, Stainless Steel, (BLOOMV2),Medium

Features :

  • A comprehensive dynamic engine that is designed to give guitarists maximum dynamic tonal control
  • MIDI now offers MIDI control over all 6 compression settings, circuit ON/OFF (COMP, EQ, BLOOM) and bloom level
  • A three-fold device, the Bloom manipulates the dynamics of the instrument by way of precisely tuned optical compression, equalization, boost and sustain circuits which can be activated separately or in tandem with each other
  • Dual Compressors for the ultimate slide tone
  • Programmable True Bypass or Buffered Bypass

Additional Info :

Color Stainless Steel
Item Dimensions
Height 4
Width 4
Length 7
Weight 1

10. Carviya 4-8 Gauge AWG in-line Waterproof Fuse Holder with Two 60A AGU Type Fuses For Car Audio/Alarm/Amplifier/Compressors (3 Pack)

Features :

  • Current Rating: 60A.
  • Six 60A AGU Type Fuses Included.
  • Damp proof and Water-resistant ideal for automotive use.
  • An in-line automotive fuse holder with a water and impact resistant crystal clear polycarbonate housing, wire terminals that accept up to 8 gauge wires.
  • Ideal for custom protection circuits or to replace an existing defective one.

Additional Info :

Color 3 Pack

Buying Guide: What to Consider When Select audio compressor


How much should you expect to spend on a product like this? Is it a one-off cost, or is there some kind of recurring element?

When it comes to audio compressor, a great value can come in many different forms. It could be a lower price, impeccable construction, and design, or higher durability. We’ll cover all of these different factors below, where we’re sharing our top picks for the best audio compressor for the money. We’ll go over everything consumers should know to get a great value out of their audio compressor!


The phrase “people get what they pay for” is especially true when it comes to audio compressor. The range in durability from person to person can be pretty substantial depending on the materials used in the construction. If someone saves $100 on a audio compressor, but it wears out in 1 month, are they really getting a good value?

Compare that to a audio compressor that costs $50 more but wears out after 1 or 2 years. Most people would argue that the second option is the better deal over the long term. Before purchasing, you should consider how long you want to have the audio compressor and then read reviews to make sure you know how long you can expect it to last.

Consider Where You Purchase 


A vast majority of people now buy their audio compressor online rather than going to a brick-and-mortar physical location. That’s largely because online shopping offers greater convenience, and many brick-and-mortar stores can be confusing when it comes to their models, pricing, and types.

While people can’t try out an online audio compressor the way they can in a store, brands often come with generous trials. These allow people to try out the audio compressor for a while and return it if they’re unhappy.

In addition, many online audio compressor are more affordable than their in-store counterparts, because they have less overhead and have cut out the middlemen to pass savings directly to the consumer. If you purchase online, make sure to check to see if they will have to pay extra for shipping or not. A lot of the new companies offer free shipping, but not all.

Types of audio compressor

Before even thinking about all the different audio compressor available,  You should choose the product types that will be ideal for your task.


Choosing a product based on a design that people will love can be tough. Just because you might like the look and style of it, doesn’t mean it’s the best. Below are some steps you can follow that I’ve used in the past when making decisions on which product designs to choose. Today, a lot of e-commerce sites have the same products. Naturally, it means people use product photos and videos to find the best item. Some of the tips in this article will help you choose or design a successful product.

  • Dimensions. How big are these products?
  • Materials. What are they made from? Is there an advantage to choosing one material over another?
  • Generic characteristics. What sort of features do products in this category include?
  • Product-specific functionality. Do certain products have key characteristics that others don’t? 
  • “Vs.” comparisons. Wireless or wired? Portable or desktop? Metal or wood? These are the key A/B-style decisions typically made early in the buying process.

The Verdict

Finally, we hope that our reviews about these audio compressors will help you to choose your ideal product available on the maker. The question remains, how many of these audio compressor will you use and how often? Some manufacturers come out with newer audio compressor every few months. This is because they know that people want the better audio compressor. It’s all a matter of choice and your budget. The good news is that the features of good audio compressor tend to trickle down in price. If you start off with a cheaper version, chances are you can afford the more advanced versions of it a few months later.